Takhat Armchair

Takhat means “throne” or “platform” in several Indian languages - a name that reflects the grandeur and communal essence the piece embodies: a symbol of gathering, storytelling, and resilience. Sculptural in form, the armchair draws inspiration from the robust wooden grinding tables traditionally used by Naga communities to pound grain. These tables were spaces of labor, shared effort, and quiet camaraderie. Honouring this practice, the design adopts a monolithic silhouette crafted from darkened wood, evoking strength and permanence. The notches along the backrest echo the rhythmic patterns of handcrafted tools, preserving the mark of the maker. In Takhat, past and present converge, opening a dialogue between form, tradition, and cultural memory.

Shivangi Vasudeva is a young, upcoming artist who has grown with a legacy in textiles, she merges this heritage with her education at Central Saint Martins to create objects that resonate emotionally, blending functionality with stories of inheritance and community. She weaves these discoveries into narratives that connect words within worlds and past with present. Her current research focuses on indigenous craft communities in Nagaland, celebrating their traditions through contemporary designs that give a voice to the communities involved.